
Daniel Loria
Daniel Loria is an influential figure in the film industry, known for his role as editorial director at The Boxoffice Company. He provides insights and analysis on box office trends and the theatrical market, helping to shape understanding of the evolving landscape of film releases and audience preferences.
Global Media Ratings
Countries Mentioned
Country | Mentions | Sentiment | Dominance | + Persistence | x Population | = Reach | x GDP (millions) | = Power |
---|---|---|---|---|---|---|---|---|
United States | 3 | 6.00 | 0.09% | +0% | 331,002,651 | 306,958 | $21,000,000 | 19,474$ |
Totals | 3 | 331,002,651 | 306,958 | $21,000,000 | 19,474$ |
Interactive World Map
Each country's color is based on "Mentions" from the table above.
Recent Mentions
United States:
Daniel Loria, editorial director at BoxOffice Pro, discussed the potential for franchise fatigue affecting Marvel.
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United States:
Daniel Loria, editorial director at BoxOffice Pro, mentioned that reviews matter less for established franchises.
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United States:
Daniel Loria, editorial director at BoxOffice Pro, told CNN that other chains could follow suit to attract customers.
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United States:
Daniel Loria is the editorial director at Boxoffice Pro who commented on the connection of movies with audiences.
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New Zealand:
Daniel Loria is the editorial director from trade publication Boxoffice Media who discusses the opportunities for producers like Rassam.
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Canada:
Daniel Loria, senior vice-president of The BoxOffice Company, mentioned the potential of making US$100-million at the domestic box office.
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United States:
Daniel Loria, editorial director at Box Office Pro, provided insights on the success of 'Lilo & Stitch'.
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Guyana:
Daniel Loria provided insights on the box office revenue from overseas for Hollywood.
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Tanzania:
Daniel Loria provided insights on the revenue generated by Hollywood from overseas box office sales.
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United States:
Daniel Loria is the editorial director at The Boxoffice Company who discussed the performance of the latest MCU releases.
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