
Masoud Farasti
Masoud Farasti is an Iranian film critic and journalist known for his outspoken views on Iranian cinema and cultural issues. He has often been a controversial figure in discussions surrounding the artistic freedom and censorship in Iran. Farasti is recognized for his strong opinions on the political landscape of the country and its impact on the film industry. Recently, he made headlines for his comments regarding opposition to the Iranian regime and the cultural implications of filmmaking in the current socio-political climate.
Global Media Ratings
Countries Mentioned
Country | Mentions | Sentiment | Dominance | + Persistence | x Population | = Reach | x GDP (millions) | = Power |
---|---|---|---|---|---|---|---|---|
Iran | 5 | 4.60 | 0.38% | +50% | 83,992,949 | 478,683 | $610,000 | 3,476$ |
Totals | 5 | 83,992,949 | 478,683 | $610,000 | 3,476$ |
Interactive World Map
Each country's color is based on "Mentions" from the table above.
Recent Mentions
Iran:
Masoud Farasti expressed his critical views on the film 'Hamoun' by Mehrjui.
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Iran:
Masoud Farasti is a critic who discussed the film 'Cinema Metropol' in a recent episode of the program 'Cut'.
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Iran:
Masoud Farasti is involved in a discussion about the film 'The Voice of Hind Rajab'.
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Iran:
Masoud Farasti criticized Mahmoud Dowlatabadi as a pretentious writer who does not reach the level of Ahmad Mahmoud or Houshang Golshiri.
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Iran:
Masoud Farasti criticized the director of 'Shikargah' for not knowing the basics of cinema.
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Iran:
Masoud Farasti hosted a program discussing the film 'Goli's Room' and provided his critiques on the series 'Forgotten'.
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Iran:
Masoud Farasti shared his experience of the Arbaeen pilgrimage and discussed the unity of people during the event.
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Iran:
Masoud Farasti expressed his admiration for the late Mahmoud Farshchian's work.
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Iran:
Masoud Farasti discussed the series 'Forgotten' with Saeed Marvati and Borzou Niknezhad.
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Iran:
Masoud Farasti hosted the second episode of the program 'Cut' which reviewed the film 'Woman and Child'.
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