Keith

Keith

unknown Israel

Keith recently made headlines by expressing his deep sorrow and trauma after returning to his home in Kibbutz Nahal Oz, which was devastated by Hamas. In a heartfelt video shared by former President Trump, Keith thanked him for efforts to release hostages from Gaza and emphasized the urgent need to bring all hostages home. He described his home as 'broken and ruined like my heart' and highlighted the profound impact of the October 7 attacks on his community.

Global Media Ratings
Dominance
0.00%
Persistence
0 wks
Reach
29,048
Power
1,155$
Sentiment
9.00
Countries Mentioned
Country Mentions Sentiment Dominance + Persistence x Population = Reach x GDP (millions) = Power
United Kingdom 1 9.00 0.04% +0% 67,886,011 29,048 $2,700,000 1,155$
Totals 1 67,886,011 29,048 $2,700,000 1,155$
Interactive World Map

Each country's color is based on "Mentions" from the table above.

Recent Mentions

United Kingdom United Kingdom: Keith is the author's first love and husband, who has been a significant part of her life and experiences. 9

The Guardian: The moment I knew: he took me to the crematorium to ‘meet his mum’. It was so personal and loving | Relationships

Australia Australia: Keith volunteers to collect and distribute eggs laid in the large architect-designed run on the rooftop garden. 7

The Sydney Morning Herald: Arkadia in Alexandria is a place architects want to live

United Kingdom United Kingdom: Keith died after being sucked into an MRI machine while wearing a heavy metal necklace. 5

BBC: Man wearing heavy metallic necklace dies after being sucked into MRI machine

Liberia Liberia: The author's father and his brother Keith experienced similar treatment regarding their English. 5

Daily Observer – leading Liberian newspaper, est. 1981: If Trump had Black skin, he’d fit right in. | Commentaries

Australia Australia: Keith is a narcissistic white writer/director/producer in Warm Props who misappropriates Aboriginal culture. 3

The Sydney Morning Herald: SBS Digital Original Warm Props by Jub Clerc looks at exploitation in filmmaking