Zdravko Mamić
Zdravko Mamić is a prominent Croatian football executive, best known for his long tenure as the director of GNK Dinamo Zagreb. Born in 1958, he has been a controversial figure in Croatian football, often involved in legal disputes and accusations of corruption. Mamić played a significant role in transforming Dinamo into a powerhouse in Croatian and European football, but his career has been marred by scandals. Recently, he made headlines during a press conference in Mostar, discussing ongoing legal issues related to the club and player transfers.
Born on Jan 01, 1958 (67 years old)
Global Media Ratings
Countries Mentioned
| Country | Mentions | Sentiment | Dominance | + Persistence | x Population | = Reach | x GDP (millions) | = Power |
|---|---|---|---|---|---|---|---|---|
| Montenegro | 1 | 5.00 | 0.06% | +0% | 628,066 | 383 | $5,500 | 3$ |
| Croatia | 1 | 5.00 | 0.06% | +0% | 4,105,267 | 2,380 | $68,000 | 39$ |
| Totals | 2 | 4,733,333 | 2,763 | $73,500 | 42$ |
Interactive World Map
Each country's color is based on "Mentions" from the table above.
Recent Mentions
Croatia:
Zdravko Mamić is mentioned in the context of making decisions about Zoran Mamić.
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Montenegro:
Zdravko Mamić is a former director of the Dinamo Zagreb football club implicated in a bribery case.
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Iran:
Zdravko Mamić was implicated in the financial misconduct case and was responsible for player transfers at Dinamo Zagreb.
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Croatia:
Zdravko Mamić commented on Rijeka's victory, highlighting the remarkable season they had.
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Croatia:
Zdravko Mamić is associated with the Bad Blue Boys fan club.
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Croatia:
Zdravko Mamić is mentioned as an accused involved in the judicial appointments.
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Croatia:
Zdravko Mamić is involved in a legal case regarding the alleged embezzlement of funds from the Dinamo football club.
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Croatia:
Zdravko Mamić accused Branko Šegon and Tihomir Kralj of offering him help in legal matters.
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Croatia:
Zdravko Mamić accused Branko Šegon and Tihomir Kralj of offering him help in exchange for 500,000 euros.
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Croatia:
Zdravko Mamić is referenced in the context of the caricatures that offended Antolić.
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