
Jonathan Coe
Jonathan Coe is a British author known for his satirical novels and his insightful commentary on contemporary British society, often blending humor with serious themes.
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Recent news mentions
The English author who did not plan to become a writer discusses his relationship with Greek readers.
Διαβάστε στην «Καθημερινή της Κυριακής»Jonathan Coe is referenced as an author whose works are critiqued for being overly political.
Love Bono or loathe him, we could all do with a little more of his sanctimony – The Irish TimesThe author admires the ironic twist in literary fiction that he loves in Jonathan Coe.
‘Whenever I leave the North I do feel a pull – a hankering for that coded familiarity’ – The Irish TimesJonathan Coe is a British writer known for blending the personal and political in his novels.
« Les Preuves de mon innocence » : Jonathan Coe et l’arène d’AngleterreJonathan Coe's new book discusses the most chaotic 49 days in recent British history: the term of Liz Truss.
Der Autor Jonathan Coe über die Amtszeit von Liz Truss: Diese verrückten 49 Tage - KulturJonathan Coe recommends Birding by Rose Ruane for a summer read.
My perfect holiday reading, by Bernardine Evaristo, David Nicholls, Zadie Smith and more | BooksJonathan Coe's new work revolves around the murder of blogger Christopher Swan.
Τα νέα «αστυνομικά» που θα σας κόψουν την ανάσαJonathan Coe's new book reflects on the essence of British society during a recent historical moment.
Τζόναθαν Κόου στην «Κ»: Ολοι έχουμε γίνει παιδιά της ΘάτσερJonathan Coe is a guest judge known for his wonderful novels including What a Carve Up! and The Rotters’ Club.
The Faber/Observer/Comica graphic short story prize 2025 – enter now! | Comics and graphic novelsJonathan Coe is a British author whose books Kelly loves.
Μία μονοκατοικία στου Παπάγου γεμάτη αντίκες και σύγχρονη τέχνηJonathan Coe was present at the gathering to support Boualem Sansal.
Des écrivains réunis en soutien à Boualem Sansal à l’Institut du monde arabe : « Nous sommes là pour toi, sans l’ombre d’un “mais”… »






















































































