
Magnus von Horn
Magnus von Horn is a Swedish filmmaker known for his thought-provoking narratives and strong visual style. He gained international recognition for his works such as 'Efterskalv' (2015) and 'Påt' (2020), which explore themes of isolation and societal issues. His latest film, 'Dевојката со иглата' (The Girl with the Needle), has garnered significant attention on the film festival circuit, receiving nominations for prestigious awards including the Oscar for Best International Film and the Palme d'Or at the Cannes Film Festival. Von Horn's ability to blend genres and create intense emotional experiences has established him as a notable voice in contemporary cinema.
Global Media Ratings
Countries Mentioned
Country | Mentions | Sentiment | Dominance | + Persistence | x Population | = Reach | x GDP (millions) | = Power |
---|---|---|---|---|---|---|---|---|
Sweden | 1 | 5.00 | 0.04% | +0% | 10,099,265 | 4,090 | $530,000 | 215$ |
France | 1 | 7.00 | 0.05% | +0% | 65,273,511 | 32,507 | $2,700,000 | 1,345$ |
Totals | 2 | 75,372,776 | 36,597 | $3,230,000 | 1,560$ |
Interactive World Map
Each country's color is based on "Mentions" from the table above.
Recent Mentions
France:
Magnus von Horn is a Swedish director based in Poland who created the film La Jeune Femme à l’aiguille.
7
Sweden:
Magnus von Horn is an Oscar-nominated filmmaker who questioned the culture minister's views on the importance of film.
5
Spain:
Magnus von Horn is the director of the film 'La chica de la aguja'.
5
Denmark:
He directed the Danish Oscar hopeful 'Pigen med nålen'.
5
Sweden:
Magnus von Horn did not receive an Oscar.
5
Spain:
Magnus von Horn is mentioned as a director.
5
Sweden:
Magnus von Horn's film stands out for its dark themes.
6
Bolivia:
Magnus von Horn is the director of 'The Girl with the Needle'.
8
Paraguay:
Magnus von Horn directed La chica de la aguja, a psychological drama set in the post-World War II era.
7
Greece:
Magnus von Horn masterfully uses photography and settings to depict a nightmarish Copenhagen in his film.
6