
Monica L. Miller
Monica L. Miller is a prominent scholar and author known for her work on fashion, race, and identity. She is the author of the influential book 'Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity,' published in 2009, which explores the intersections of black culture and fashion. Her research has contributed significantly to the understanding of how fashion can reflect and shape cultural identities, particularly within the African diaspora. Miller's insights are being recognized in contemporary discussions about fashion, as her work inspired the theme for the 2025 Met Gala.
Global Media Ratings
Countries Mentioned
Country | Mentions | Sentiment | Dominance | + Persistence | x Population | = Reach | x GDP (millions) | = Power |
---|---|---|---|---|---|---|---|---|
Slovakia | 1 | 6.00 | 0.05% | +0% | 5,459,642 | 2,829 | $110,000 | 57$ |
Totals | 1 | 5,459,642 | 2,829 | $110,000 | 57$ |
Interactive World Map
Each country's color is based on "Mentions" from the table above.
Recent Mentions
Slovakia:
Monica L. Miller's book inspired Doechii's outfit choice at the MET gala.
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Venezuela:
Monica L. Miller is the author of the book that inspired the gala.
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United States:
Monica L. Miller is a Barnard professor who helped put the show together.
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Pakistan:
Monica L Miller's book inspired the theme of this year's Met Gala.
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New Zealand:
Dr Monica L. Miller is the author of the book 'Slaves to Fashion' and served as a guest curator for the Met Gala exhibition.
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United States:
Monica L. Miller is the guest curator of the exhibition at the Met Gala.
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Kenya:
Monica L. Miller’s acclaimed book explores how fashion has long served as a powerful tool of self-expression, resistance, and cultural affirmation for Black communities.
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Spain:
Monica L. Miller is the curator of the exhibition related to the Met Gala's theme.
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Canada:
Monica L. Miller is the author of the landmark book Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity.
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United Kingdom:
Miller serves as guest curator of the exhibition alongside the Costume Institute’s head curator Andrew Bolton.
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