Kathryn Bigelow
Kathryn Bigelow is an acclaimed American filmmaker and director, recognized for her innovative and often gritty approach to storytelling. She made history as the first woman to win the Academy Award for Best Director for her film 'The Hurt Locker' in 2010, which explored the complexities of war and the psychological toll on soldiers. Bigelow's works often delve into themes of violence, conflict, and human resilience, showcasing her unique perspective in a predominantly male-dominated industry.
Born on Nov 27, 1951 (73 years old)
Global Media Ratings
Countries Mentioned
| Country | Mentions | Sentiment | Dominance | + Persistence | x Population | = Reach | x GDP (millions) | = Power |
|---|---|---|---|---|---|---|---|---|
| San Marino | 1 | 7.00 | 0.11% | +0% | 33,938 | 36 | $2,000 | 2$ |
| United Kingdom | 1 | 6.00 | 0.03% | +0% | 67,886,011 | 18,171 | $2,700,000 | 723$ |
| Totals | 2 | 67,919,949 | 18,207 | $2,702,000 | 725$ |
Interactive World Map
Each country's color is based on "Mentions" from the table above.
Recent Mentions
United Kingdom:
Kathryn Bigelow is mentioned for her Oscar-winning film The Hurt Locker, which also deals with the effects of war.
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San Marino:
Kathryn Bigelow was among the artists awarded the Premio Fellini from 1994 to 1997.
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Denmark:
Kathryn Bigelow is the first female director to win an Oscar for Best Director.
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Iran:
Kathryn Bigelow's film 'Zero Dark Thirty' followed her success with 'The Hurt Locker'.
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Argentina:
Kathryn Bigelow was the first woman to win an Oscar for Best Direction.
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Venezuela:
Kathryn Bigelow won the Oscar for Best Director for The Hurt Locker, becoming the first woman to achieve this.
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Brazil:
Kathryn Bigelow's film 'Quando chega a escuridão' is part of the 'Mestras do Macabro' showcase.
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Peru:
Kathryn Bigelow won an Oscar for 'Zona de miedo' in 2010.
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United States:
Kathryn Bigelow made history in 2010 when she became the first woman to win the Oscar for best director.
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Canada:
Kathryn Bigelow has been able to convince major corporations to let her pursue her largely franchise/“content”-free visions.
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